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SOURCESI originally wrote this page in 1997, and it is still a work in progress. That doesn't mean it's not complete. It means that the Robin Hood legend continues to change, new books, films and scholarly articles are coming out every year. And I will update this site accordingly. Over the years, I've read dozens of books, seen dozens of films and TV shows. And I'm sure I've picked up the stray thought from all of them. I might not be able to catalogue all my influences, but this page is my attempt to give credit where it's due. I have also provided links to Amazon.com and Amazon.co.uk so that you can order these books. The General section lists sources that have been helpful for many parts of the literary history. I have listed additional sources under the appropriate sections. General SourcesWhen I began this site in 1997, there were three sources that inspired the bulk of the original document. They are: But there are three main books I used to write this text piece. They are:
RYMES
OF ROBYN HOOD; AN INTRODUCTION TO THE ENGLISH OUTLAW
by R.B. Dobson and J. Taylor. Gloucester, UK: Alan Sutton,
1989. Originally published by Heinemann in 1976, this
is a classic collection of ballads and poems with a wonderful
historical introduction. A new edition was released in 1997
with an updated foreword. Robin Hood: A Complete Study of the English Outlaw by Stephen Knight. Oxford, UK and Cambridge, USA: Blackwell, 1994. This is as close to definitive book on the legend as you're likely to find. It provides the most comprehensive look at changes to the Robin Hood legend. It's most valuable for its coverage of the later legend. The book takes a social-culture view, and sometimes the language can be very lit-crit. An interview with Professor Knight is available on my website. Most references to Stephen Knight's work on this page are to this book. The book is out of print, but he has a new book. ROBIN HOOD: A MYTHIC BIOGRAPHY by
Stephen Knight. Cornell University Press, 2003. Although published after my site was largely written, this book repeats many arguments from his former book. It divides Robin's legendary persona into four archetypes. This is largely
enjoyable. Stephen Knight likes to challenge traditionally assumptions about the legend. That can be useful, but he's sometimes given to overstatements. In late 1997, I attended the first international academic conference for Robin Hood Studies. What I learned there helped with some early re-writes and additions to these pages. They 1999, 2001 and 2003 conferences have also generated papers that lead to some re-writes. ROBIN HOOD
IN POPULAR CULTURE; VIOLENCE, TRANSGRESSION, AND CULTURE,
edited by Thomas Hahn. Cambridge: D.S. Brewer, 2000. This book collects the papers from
the first International Conference for Robin Hood Studies,
held in 1997. They include
plenary addresses by Stephen Knight and Barrie Dobson, as well
as a very important paper by Thomas Ohlgren. The book covers Robin
Hood ballads, poems, novels, theatre, television, film and more. I will cite the various articles in the appropriate sections. ROBIN
HOOD AND OTHER OUTLAW TALES edited by Stephen Knight
and Thomas Ohlgren. Kalamazoo, Michigan: TEAMS - Medieval Institute Publications, 1997. It's a whopping 700 pages filled with ballads,
plays, and historical background. Much of this book is
online at The Robin Hood
Project at the University of Rochester. ROBIN
HOOD: AN ANTHOLOGY OF SCHOLARSHIP AND CRITICISM edited by Stephen Knight. Cambridge: D.S. Brewer, 1999. This large tome collects and reprints several useful and important articles. Most relevant for the study of real Robin Hoods are "Robin Hood" by Joseph Hunter (the 1852 article which explores the Robin Hood of the 1320s), "The Birth and Setting of the Ballads" by J.R. Maddicott, "Ballads and Bandits: Fourteenth Century Outlaws and the Robin Hood Poems" by Barbara A. Hanawalt and "Some Further Evidence Concerning the Dating of the Origins of the Legend of Robin Hood" by David Crook (which covers the various Robin Hood surnames). I will cite more articles under the appropriate sections. And as I said in my Introduction The Robin Hood Project at the University of Rochester is a fantastic resource. Once again, I'd like to thank Alan Lupack for letting me make so many links to his site. The Early Years: Ballads and BackgroundAll of the books in the General section above formed the backbone of this section. Additional sources include: THE OUTLAWS OF MEDIEVAL LEGEND by Maurice Keen. London: Routledge, 2000. First published in 1961, this is a classic study of Robin Hood and other medieval outlaws. Originally, Keen supported the idea that Robin Hood legend was inspired by the political sentiment behind the Peasants' Revolt. He has since changed his mind and the updated introduction features Keen's thoughts on more recent Robin Hood scholarship.
Tom Ohlgren's articles are among the most insightful and probing of modern Robin Hood scholarship. He allowed me to view a copy of "The 'Marchaunt' of Sherwood: Mercantile Ideology in A Gest of Robyn Hode" which was presented at the 1997 conference and was later collected in Robin Hood in Popular Culture, edited by Thomas Hahn. The "Merchaunt" and two other helpful papers by Tom Ohlgren are available online at his website, Robin Hood: The Early Poems. Another helpful article from Robin Hood in Popular Culture is "Longbow Archery and the Earliest Robin Hood Legends" by Kelly DeVries on pages 41-60. And if you're interested in finding homo-erotic themes in the early legend, then "Horseplay: Robin Hood, Guy of Gisborne, and the Neg(oti)ation of the Bestial" by Stuart Kane is for you (Hahn, pp. 101-110). Various articles in Robin Hood: An Anthology of Scholarship and Criticism", edited by Stephen Knight were also helpful. These include "Ballads and Bandits: Fourteenth Century Outlaws and the Robin Hood Poems" by Barbara A. Hanawalt (pp. 263-284, reprinting her 1992 article from Chaucer's England). In 2009, Dr. Julian M. Luxford published an article on an overlooked English reference - "An English Chronicle Entry on Robin Hood" in Journal of Medieval History Volume 35, Issue 1, March 2009, Pages 70-76. An online copy can be found here. The Early Years: May Games and MayhemIn addition to the books in the general section, useful sources include: THE EARLY PLAYS OF ROBIN HOOD by David Wiles. Cambridge: D.S. Brewer, 1981. Currently out of print, this book provides a good overview and analysis of the May Games. The chapters Robin Hood as Summer Lord I & II are reprinted in Robin Hood: An Anthology of Scholarship and Criticism, edited by Stephen Knight. ROBIN HOOD: THE SHAPING OF THE LEGEND by Jeffrey L. Singman. Greenwood Press, 1998. A good study of the legend, particularly for its recent information on the Robin Hood Games. Helpful appendices include listing of all Robin Hood Games references and the contemporary reports surrounding the Edinburgh riot. "Lords of the Wildwood: The Wild Man, the Green Man, and Robin Hood" by Lorraine Kochanske Stock in Robin Hood in Popular Culture (edited by Thomas Hahn), p.239-250 provides some useful information. There have been several reconstructions of the 1475 "dramatic fragment": they appear in Dobson and Taylor, Knight and Ohlgren and Wiles. Also, "Playing the Game: Reconstructing Robin Hood and the Sheriff of Nottingham" by John Marshall in Hahn, pp. 161-174 reconstructs the play and discusses the various approaches. Changes to the Legend: Protestants and PropagandaIn addition to the sources listed above, the follow books were helpful in writing this segment. LIBERTY AGAINST THE LAW: SOME SEVENTEENTH-CENTURY CONTROVERSIES by Christopher Hill. Harmondsworth: Allen Lane, The Penguin Press, 1996. A noted left-wing historian examines the concepts of liberty and legality in the 17th century, in history and the arts. The book includes a chapter on Robin Hood. Most of the Robin Hood material is reprinted in Robin Hood: An Anthology of Scholarship and Criticism (pp.285-296). REVEL, RIOT AND REBELLION by David Underdown. Oxford: Oxford University Press, 1987. This book examines the politics and pop culture of 17th century England, and includes references to the political party "the Robins". Changes to the Legend: Broadsides and BuffooneryThe best-known ballad collection is The English and Scottish Popular Ballads by Francis Child, published between 1892-1898. There is a five-volume printing and a ten-volume printing of this series. Most Robin Hood ballads can be found in vol. III (of V), although there are few like "Erlinton" (aka Robin Hood and the Shepherd's Daughter), "Willie and Earl Richard's Daughter" (aka "The Birth of Robin Hood) and "Rose the Red and White Lily" (aka "The Marriage of Robin Hood and Little John") that are included in the earlier volumes, because F.J. Child didn't feel they were properly part of the Robin Hood tradition. An important supplement is The Traditional Tunes of the Child Ballads by Bertrand Harris Bronson, vol. III. This provides tunes, including some North American variations. ROBIN
HOOD : THE FORRESTERS MANUSCRIPT : BRITISH LIBRARY ADDITIONAL
MS 71158, edited by Stephen Knight. The manuscript
of this previously unpublished 17th century ballad collection
was discovered in a 1993 booksale -- a major find for Robin
Hood scholarship. Stephen Knight adds notes to all the ballads. Two good sources for Canadian versions of the ballads are: Traditional Songs from Nova Scotia by Helen Creighton and Doreen H. Senior. Toronto: The Ryerson Press, 1950. Maritime Folk Songs by Helen Creighton. Toronto: Ryerson Press, 1962. Changes to the Legend: Revolutions and RomanticismMYTH AND NATIONAL IDENTITY IN NINETEENTH-CENTURY BRITAIN: The Legends of King Arthur and Robin Hood by Stephanie L. Barczewski. Oxford University Press, 2000. A very good analysis of the legend in the 19th century, including how the Normans vs. Saxons motif was used to justify British "racialism". Changes to the Legend: Children's Novels and Comic Operas"Robin Hood in Boys' Weeklies to 1914" by Kevin Carpenter. This paper was delivered at the 1999 Robin Hood conference, and Dr. Carpenter graciously sent me a copy. Another helpful resource for this section in "Robin Hood Musicals in Eighteenth-Century London" by Linda V. Troost in Robin Hood in Popular Culture, pp.251-264. I consulted the original reviews for De Koven and Smith's operetta. Those include The New York Times on Sept. 29, 1891 (p. 4) and for the last big revival, Nov. 8, 1994 (p. 28). The Times of London notice appeared on Feb. 7, 1891 - one day after Sullivan's Ivanhoe got its second notice. Also, librettist Harry B. Smith's autobiography First Nights and First Editions talks a great deal about the crafting of this musical. My impression of this operetta comes from listing to a recording of the score and seeing some songs performed at the 1997 Robin Hood academic conference in Rochester, NY. I have also listened to the cast album to Twang!!, and well ... I think there's a reason why it failed. It is sort of amusing in its awfulness, but the music refuses to leave my head. In the case of Twang!, that's a bad thing. Changes to the Legend: Films and FantasyMost helpful in this section would be the books of Stephen Knight, listed in the General Sources section, and well... my own collection of films, TV shows and books. Another good source is the article "Robin Hood on the Screen" by Jeffrey Richards, which can be found in Robin Hood: An Anthology of Scholarship and Criticism, pp.429-440. [There have been several versions of this article, one formed a chapter of his 1977 book, Swordsmen of the Screen. Changes to the Legend: Comic Books and CopycatsAs a lifelong comics collector, much of the information came right out of my own collection. For the 1998 SEMA conference and heavily revised for the 1999 Robin Hood Conference in Nottingham, I delivered a paper called "'Begone, Knave! Robbery is out of fashion hereabouts!': Robin Hood and the Comics Code" which examined how Robin Hood comic books functioned in the 1950s, a time of censorship. The proceedings volume for the 1999 conference is currently stuck in development hell. Some information for that paper came from "Seven Robins!" from the Nolan's Notebook column in the May 1998 issue of Comic Book Marketplace. It gave me a nudge in the right direction. The writings of Kevin Carpenter helped me track down some British Robin Hood comics. Also useful were two books by Denis Gifford: The Encyclopedia of Comic Characters (Longman, 1986) and The Complete Catalogue of British Comics (Webber & Brown, 1985). Again, most of my Green Arrow knowledge comes from personal experience. But "Robin Hood and Green Arrow: Outlaw Bowmen in the Modern Urban Lanscape" by Sarah Beach can be found in Robin Hood in Popular Culture, pp. 21-28. Also, I would highly recommend the Green Arrow Fansite. Co-author Scott McCullar has worked as a continuity advisor for the comic book. I have consulted the newspaper archives to follow the "Robin Hood and Company" strip. A history of the strip and the wartime Canadian comic book industry can be found in "The War Years: Anglo-American Publishing Ltd." by Robert MacMillan, published in Canuck Comics edited by John Bell, Montreal: Matrix Books, 1986. Thanks to Mark Shainblum for sending me a copy. For modern news and legal references to the Robin Hood legend no one was better than Marcus A.J. Smith and the late (and sorely missed) Julian N. Wasserman. Their article "In the Sheriff's Court: Robin Hood and American Jurisprudence, Or, Who is This Robin Hood and Why Are All Those Lawyers Saying Such Nasty Things about Him?" appears in Robin Hood in Popular Culture, pp.225-238. They also presented a paper on modern Robin Hood references at the conference held in London, Ont. in 2001. | BACK TO: Conclusions | TOP | CONTENTS | Text copyright, © Allen W. Wright, 1997 - 2004.
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ROBIN
HOOD , revised edition by J. C. Holt. London: Thames and Hudson, 1989.
In the 1980s and early 1990s, this was considered
the definitive work on Robin Hood. Although it focuses
mainly on the medieval side of the legend, it's still worth
a look. 
