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Copyright
All text, unless otherwise noted, and title graphics - © copyright Allen W. Wright, 2004.
(C) Marvel Characters, Inc. 1997, art by John Byrne
Puck
(C) DC Comics Inc. 1997, art by Charles Vess
The
use of the images from DC and Marvel Comics are in no way intended to infringe
on their copyright of the artwork.
"Puc.jpg"
(that great green-skinned trickster at the top of the page) Copyright 1997
Victoria Guthrie. (Used with Tori's kind permission.)
Other images taken from woodcuts in old ballad collections.
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My history with Puck and other tricksters
I didn't
know the legend of Puck when I was child. However, Puck is a trickster, and
hence belongs to an archetype that has been a favourite of mine since I was
knee-high to a grasshopper (well, knee-high to my parents. I was never quite
insect size).
I suppose
my first exposure to Puck was a comic book superhero. Eugene Milton Judd
aka Puck was a member of Alpha Flight, a team of Canadian superheroes that
were spun off from Marvel Comics' Uncanny X-Men. This Puck was a short, gruff,
hot-tempered, former mercenary with a heart of gold. His black costume and
tendency to do somersaults and cartwheels suggest that this Alphan took his
name from not from the Shakespearean Puck, but from the hockey puck, the
black rubber disc used in Canada's national pasttime. But surprisingly for
a bar bouncer, Judd was fond of Shakespeare. And even though he was in great
pain from his "dwarfism" (stunted growth in the long bones), Puck went through
life with a great sense of humour. (At least until another writer got his
hands on the character and made him a whiny, self-pitying idiot made short
by magic. But that's too horrible a story to tell. And fortunately, other
writers have ignored it.)
A letter to an early issue of Alpha Flight mentioned how Judd took his name
from Shakespeare as well as hockey.
Funny
enough it was another comic book which properly introduced me to the mythical
Puck. In the late summer of 1991, I started reading Neil Gaiman's superb dark
fantasy series The Sandman. DC Comics had just started releasing trade
paperback collections of the earlier issues. One of them was called Dream
Country. One of the issues that volume reprinted was issue 19, the World
Fantasy Award-winning "A Midsummer Night's Dream". In a previous issue, the
personification of dreams, Morpheus, had made a deal with Shakespeare he
gave the bard the power to "give men dreams that would live on long after
I am dead." The price was two plays to be commissioned for the Dream King.
The first, "A Midsummer Night's Dream", was performed live before the real
Puck, Auberon, Titania, etc. To prep myself for the issue, I read Shakespeare's
A Midsummer Night's Dream for the first time.
About
a year later, I did a presentation on Elizabethan Faeries for my third year
Shakespeare class at university. For the same class, I also wrote an essay
on Puck as the Shakespearean fool. And at some point I probably re-read my
Robin Hood books to discover that some people linked Puck, also called Robin
Goodfellow, with Robin Hood.
And all this stuck in my head when I was revising a Robin Hood short story
I had written. In the original version, an unspecified devil was involved.
But then it hit me that Puck would be the perfect character to play the supernatural
part in the story. I won't go into too many details. It's been years, and
I'm still tinkering with the story. I'd like to publish it some day.
While researching this story, I decided to get a new alias for my computer
activities. Fionn mac Cumhail, after the Irish hero, and Morpheus, after
the Sandman, were getting a bit stale. I looked around my room for inspiration.
And my eyes landed on my copy of Dobson and Taylor's Rymes of Robin Hood
. Robin Hood ... hmmm, I loved the outlaw legend. But somehow it seemed too
ordinary, too predictable. But what about Robin Goodfellow? It was perfect!
It had ties to Robin Hood, was magical, related to the Shakespearean fool.
Unlike my rotating aliases of the past, this one stuck. So, even now I often
go by Robin Goodfellow or Puck on the computer. Some friends tell me that
it's very appropriate.
Since then, I've discovered lots of Puck appearances, like in the wonderful
Disney cartoon, Gargoyles, or in the novels and short stories of Charles
de Lint and Clayton Emery. I read Rudyard Kipling's Puck of Pook's Hill
, the classic turn of the century children's book. And I found some old Robin
Goodfellow ballads which you'll find on this website. Puck appeared in more
issues of The Sandman. And in my first month at journalism school
(1994), I had a chance to interview Sandman creator, Neil Gaiman.
He signed my copy of the "A Midsumer Night's Dream" issue.
In 1996, the Canadian Stage Company produced A Midsummer Night's Dream
in Toronto's High Park. The acting, sets, costumes, natural environment and,
of course, the script all clicked. Their Puck was incredibly acrobatic and
just plain perfect. But I have to admit the hit of the show was the very
Cockney Nick Bottom.
It's not surprising I took a liking to Puck or Robin Goodfellow. Puck is
a trickster, a mythological character I've loved since childhood. You can
check out my
Robin Hood
pages for my lifelong interest in one particular trickster. But others include
Bugs Bunny (who is a hundred times better than that stupid mouse) and even
Spider-Man. When I was in public school, I used to read this children's version
of Greek myths. My favourite Greek god was Hermes, the messenger of gods,
who as a fleet-footed and quick-witted baby stole Apollo's cattle. I used
to pretend to be an avatar of Hermes, which is rather amusing considering
I am anything but quick.
So just what is a trickster and what does it mean to me? Well, that's what
the next section is about.
The trickster
figures of mythology have always had a powerful resonance with me (and with
others it would seem given their general popularity).
Have
you ever been frustrated with society? Do the rules and laws stop making sense
to you at times? They do to me. And do you ever feel like an outcast? That
you're removed from the rest of society? That's another trickster trait.
Robin Hood and Spider-Man are outlaws. Robin Goodfellow and the Trickster
of the Winnebago natives of North America are outcasts from their societies.
Puck, and faeries like him -- brownies, hobs, etc. -- rarely interact with
the faerie court.
The trickster is a force of nature and instinct. And I've been accused of
thinking too much. So, there's something enticing about pranks and a devil-may-care
attitude. I enjoy shaking my head at things and just thinking "Lord, what
fools these mortals be." Sometimes instead of getting angry, or perhaps as
an outlet of my anger, I just curl my lips up in a puckish smile and laugh
at a life that seems increasingly stupid. Tricksters are considered primitive,
naive, even ignorant. But sometimes they also possess a wisdom others do
not. The fools in Shakespeare, and Puck is one of them, often make wise comments
amidst their jokes. There's a reason why some tarot decks place the Fool
with the World, the ultimate stage of enlightenment.
Spider-Man is an excellent example of the modern trickster. Peter Parker
is studious, guilt-ridden and hyper-responsible. But when Peter puts on his
webbed mask, he manages to cut loose. He jokes constantly and thumbs his
nose at foolish authority. He swings from sky-scrappers, not giving a damn
about heights. Wouldn't we all love to shelve our neuroses and worries and
just "BE" for a while?
But
the trickster isn't all good. There is a major dark side. Robin Goodfellow's
pranks are mischievous more than out and out evil. Robin Hood's thefts don't
seem too bad. But the Devil is often a trickster too. (One 17th century woodcut
depicts a very demonic looking Robin Goodfellow.) In Norse mythology, Loki
the trickster helps the AEsir in some stories (like when he recovers Thor's
hammer), but he conspired to have Baldr killed. And when the world ends,
Loki will be on the side of the bad guys. Even the most benign tricksters
have a dark side to them. It seems that tricksters are beyond normal definitions
of good and evil. They are a force all their own.
Which can be quite annoying to others. I know I've said some thoughtless
things when I've been joking. There can be consequences to being a trickster.
Whether it's getting kicked out of town like Robin Goodfellow is, or the nastier
fate of Loki who is bound in the entrails of his own son, stinging venom
dripping on his face. Loki was punished for disrupting a banquet of the Norse
gods and mixing "their mead with malice" by insulting the guests. Tricksters
can be real jerks and it's easy to lose friends by being too much a trickster.
Let's face it, Bugs Bunny is fun to watch. But would you really want to deal
with someone like that?
Also, tricksters can be gullible idiots. The story of the trickster being
tricked is a common motif. Puck gets confused in A Midsummer Night's Dream
and gives the love potion to the wrong Athenians. And the Winnebago trickster?
He mistakes the watery reflection of plums for the real thing. He gets tricked
out of a meal by foxes, and then burns his own arse as punishment. Another
time, he gets buried in a mountain of his own excrement. As the Winnebago
trickster often laments, trickster can mean "foolish one".
Who wants to get covered in their own feces? But it happens, doesn't it?
I know I make an ass out of myself far, far too often. (Sometimes people think
I'm foolish because they don't realize I am joking. Other times, I was just
being an idiot.) And while a trickster can laugh off his folly, I am not
so lucky. I tend to dwell on my shortcomings for years. There's something
really attractive about trickster figures like Puck. Tricksters don't dwell
on things.
But they don't learn either, do they? Tricksters keep making the same mistakes,
over and over. Jungians think of the trickster as the hero in adolescence.
Well, in some ways, it's great to keep a youthful, child-like side. Too many
adults lose something precious when they grow up. On the other hand, do you
really want to have all the faults of a teenager for the rest of your life?
Having
said all this about the trickster archetype, I must say it's wrong to associate
too strongly with an archetype. Even the complex, contradictory nature of
the trickster is two-dimensional. It's a universal image for telling tall
tales. But we are all individuals and it's the height of folly to give up
our own personality in favour of a mythic caricature.
Still there are things to be learned from the stories of Puck and other tricksters.
The concept of a free spirit is still very appealing. Just remember not to
slip in your own crap on the path to being free. Or at least try to laugh
about it.
One of the best books on the trickster is The Trickster: A Study in American
Indian Mythology by Paul Radin. My copy includes various essays and commentaries
as well as native stories. One of the best is C.J. Jung's "On the Psychology
of the Trickster Figure." Although this book does not mention the Puck legend,
it was a major source for this page.
So, what's your interest in the trickster legends? Do you agree or disagree
with what I've said? I'd love to discuss anything on this page with you.
Please e-mail me
.
If you're interested in books and videos on Puck and trickster lore, please visit A Hobgoblin's Bookstore.
(C) Text Copyright 2004 Allen W. Wright
Puck
(C) Marvel Characters, Inc. 1997, art by John Byrne
Puck
(C) DC Comics Inc. 1997, art by Charles Vess
The
use of the images from DC and Marvel Comics are in no way intended to infringe
on their copyright of the artwork.
"Puc.jpg"
(that great green-skinned trickster at the top of the page) Copyright 1997
Victoria Guthrie. (Used with Tori's kind permission.)
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